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I have been reading Brian Welch’s autobiography Save Me from Myself: How I Found God, Quit Korn, Kicked Drugs, and Lived to Tell My Story for two nights now. Although our roads were different, we had the same feelings, the same realizations, and same reactions to how we found God. What struck me the most was Brian’s account of startling “coincidences” that pushed him to go back to Him. I have experienced similar (albeit different in the sense they’re not replicas of Brian’s) “coincidences” that were sooooo weird and yet–these were messages that I couldn’t dismiss. And whenever I ask Him to tell me something, to answer some difficult questions, He answers back with “coincidences” so stark, so in-your-face that there’s no way you could ignore it. Reading Brian’s words–no flourish, no drama–of how he felt about it at that was comforting to me because now I know that when “coincidences” like those happen, I know it is God who is talking to me and so I must pay attention. I’m still halfway through the book though. If you are a fan of Korn, you should read this to be able to understand why Brian “Head” Welch quit the band at its height. If you are a Christian looking for inspiration and wanting to know how unlikely people can turn around 180 degrees, pick this book up. You’ll be surprised at how God can be persistent and really, really crazy in His own way of letting you know He got your back and you can rest easy forever.


Published in InterAksyon.comAugust 7, 2014 · 3:20 pm

MANILA – “The strong shall live, the weak shall die.”

That might as well be the line that defines this second installment of the “Rurouni Kenshin” franchise, which is based on the manga and anime “Rurouni Kenshin” (shown as “Samurai X” here in the Philippines more than a decade ago).

This was also the guiding principle of Kenshin Himura’s (Takeru Satoh) arch nemesis, Shishio Makoto (Tatsuya Fujiwara), who was the rogue hitokiri that the Royalists/Imperialists engaged after the former laid down his sword 10 years before. Kenshin was the assassin that the Royalists used in broad daylight while Shishio, his kohai, was the hitokiri in the shadows.

Fujiwara plays Shishio with relish–he even has Shishio’s raspy, menacing voice that the character had in the anime series. I could barely recognize Fujiwara (who played Light Yagami in the live-action Death Note movie) behind the bandage, red-rimmed eyes and peeling skin.

The movie opens with Saito Hajime–the chief of police of the Meiji government and formerly the head of the Shinsengumi (the military police protecting the Shogunate)–facing Shishio, who in turn has the Meiji policemen hanged and later dropped into the roaring fires below. Saito (played by Yosuke Eguchi) is still as stoic as ever, barely showing any emotion as his men fall to their fiery end.

This sets the tone that this movie no longer tries to be cute and the body count will surely mount.

In the midst of this inferno, Shishio tells Saito of his grand plan to wrest control of the country from the government and lead Japan in becoming a stronger nation at the expense of all what he considered as weaklings. Obviously he’s a fan of social Darwinism.

Those who have not watched the anime, read the manga or seen the first installment would have a difficult time following the next scene that shows life for Kenshin and his friends at the Kamiya Dojo. The movie dispenses with introductions and references to the first movie to save time (since the “Shishio/Kyoto Arc” is about 30 episodes in the anime).

The Meiji government has asked for Kenshin’s help to neutralize and even kill Shishio, who is now a growing threat to the hard-won peace that the Emperor’s men have managed to put in place. As Home Minister Toshimichi Okubo says, Shishio’s skills as a samurai are equal to that of Kenshin’s.

But then why would Kenshin help the government clean up its mess? It was the government who created the monster that is Shishio, Sanosuke points out during Kenshin’s meeting with government officials.

The movie does not make the government’s failed attempt to kill off Shishio pretty. Instead of just shooting him in the head (which should have explained the metal plate around his head), the Ishin Shishi (government’s group of assassins) stab him repeatedly with their swords at close quarters and douse him with gasoline together with the other corpses that Shishio killed in the name of the Emperor. The only fly in the ointment is Shishio manages to live–thanks to the snow that falls right after the grisly crime.

Shishio, however, is thankful for what the government did to him for this taught him resilience and made him stronger. His ultimate aim is grander than just merely exacting revenge on the government. Getting rid of it is just a means to achieve his goal, he tells Kenshin during their first encounter in a village that Shishio burned to the ground.

To help him realize his dream of taking over Japan, Shishio gathers his Jupongatana (Ten Swords) to fight off Kenshin and kill all those who oppose him.

As a fan of Rurouni Kenshin, I can’t help but notice the movie’s glaring departure from the anime and manga (sorry to non-Samurai X fans):

1. Aoshi Shinomori should have been part of the first movie, as an employee-assassin-bodyguard of the opium pusher Kanryu, and the last members of the Oniwabanshu are supposed to be there with him. Megumi and Aoshi should know each other since they have been employees of Kanryu but in the second installment of Rurouni Kenshin movie, the two are complete strangers to each other.

2. In the anime and manga, Aoshi’s men are supposed to be annihilated by Kanryu’s Gatling gun (in the first movie). He pins the blame on Kenshin. In the movie, however, Aoshi goes looking for Kenshin to avenge his men’s death, who are supposed to be protectors of the Edo castle before the Restoration period. Aoshi’s men were tricked and killed of by the Meiji government after the Royalists took over. Guilty by association, Kenshin is hunted by Aoshi.

3. Cho’s long flexible, whip-like swords (similar to the urumi from India) were replaced by ordinary long swords. It would probably would have been difficult to train with and film fight scenes with this kind of weapon without resorting to CGI.

*Spoiler alert!*

4. Kenshin was supposed to have gone to his sensei, Hiko Seijuro, after his fight with Cho (member of Jupongatana), to complete his training and learn the essence of the Hitten Mitsurugi Ryu (his style of swordfighting). In the movie “Kyoto Inferno”, an unconscious Kenshin is found on the beach by Hiko after he jumped off the battleship Rengoku to rescue Kauro, after she (kidnapped by Sojrio Seta) was pushed off by Shishio into the ocean.

5. Sanosuke is supposed to destroy the Rengoku with the bombs supplied by his friend and Shishio, Yumi and Hoji escape and regroup in Mount Hiei where the final battle should take place. No such thing happens in the movie. Shishio and his Jupongatana successfully leave for Tokyo in the battleship.

*End of spoiler*


– We have a more brooding Kenshin here, who now has the tendency to hunch his back, tilt his head to one side and narrow his eyes when he throws his dagger looks to his opponent. There is a scene where he looks like a possessed angry animal with a stiff neck and walks like he’s suffering from cramps.  Attempts at “oro” and to make him comical fail.

– Sanosuke is still baka (stupid) and loud as ever. He is probably the only comic relief in this movie.

– Kaoru has expanded her menu of weapons. Aside from the usual bamboo sword (shinai) for kendo and wooden sword (bokken), she uses a jo (wooden staff) and a naginata (similar to a European glaive) during the Kyoto attack. She rarely smiles now.

– Smaller screen time for Megumi but the chemistry between Megumi and Sanosuke is more palpable compared with that of Kenshin and Kaoru. There is even more love (bromance!) between Sano and Kenshin (compared with the Kenshin-Kaoru pair) when the former hits the latter in the case and says he followed Kenshin to Kyoto to help him.

– I fear for Saito’s health. He always has a cigarette stuck between his lips, even when slashing his enemies. No facial expressions whatsoever still.

– I love Sojiro Seta. He delivers that happy smile when he kills, he speaks with other people, and with dealing with Shishio. He is like a misplaced child among the seasoned killers. But he is the best fighter among the Jupongatana and the fight scene between him and Kenshin is one of the highlights of this movie.

Which brings me now to…

The fight scenes: I will watch the movie over and over just for the fight scenes and wax lyrical about them.

Kenshin fighting with Shishio’s men after burning down a village is so much fun. Great choreography and fast sword play on the part of Takeru Satoh. No, the bad guys are not lining up to be beaten and do nothing while waiting to be beaten up. They attack Kenshin from all sides and Kenshin beating them all up from all directions was a sight to behold.

Kenshin’s fight with Sojiro after Shishio and Yumi took off involves lightning-fast swordplay and great choreography. If I remember it right, there is flying involved. Kenshin and Sojiro’s fighting stances are similar and it is exciting to see what comes after the stances. When you finally see Sojiro’s fighting technique on live action, your heart will stop.

The fight between Kenshin and Cho elicited “whoas” from the audience during the movie premiere at Megamall Wednesday night. In one scene where Kenshin catches the “true sword” thrown at him by Arai (the swordmaker’s son), the audience even clapped their hands in delight. Can’t describe it properly because I have to watch it again to appreciate its beauty.


Long speeches. They look and sound like orations instead of explanations made by several of the characters in the movie. The exchange between Kaoru and Kenshin before the latter leaves for Kyoto is too long. This same problem made the first movie’s ending look silly, with Kaoru running out of breath but still able to deliver her long monologue.

Too little chemistry between Takeru Satoh and Emi Takei makes the parting before Kenshin’s travel to Kyoto too long and the meaningful gaze between the two contrived. Or maybe it’s just me.

Despite these (because of the nitpicking on my part), this movie is still a must-see for “Rurouni Kenshin” fans out there. For the non-fans, the sword fights are enough reason to watch.

(This is not a sponsored review)

The twins and I spent our Christmas week in Los Banos and the weekend before the New Year, Mel and I decided to try Patis Tito Garden Cafe in San Pablo City. Driving there is a cinch, about 30 minutes away from our place in UPLB via the Maahas-dating-sabungan road (in my 34-year existence, I still could not get the name of that road near IRRI).

This is the much-hyped restaurant of Patis Tesoro, formerly known as Kusina Salud, the fusion Filipino cuisine resto. Hyped in the sense I’ve been reading so much about it in the past that it piqued my curiosity.

If you’re coming straight from Manila, the resto is faaaaaaaaaaaaaar. It’s along the road going to Villa Escudero and everybody knows that is already spitting-distance away from Tiaong, Quezon. From the highway in Brgy. Sta. Cruz, you turn left at a corner near a gas station and a narrow road would lead you there. Just follow the signs.

Open-air dining area of Patis Tito Garden Cafe (Photo by Likha Cuevas-Miel)

Lovers of old Filipiniana would like the place. There’s an exhibit of some antiques, handicrafts and Patis’ creations–and I made sure the twins would not venture there unless I like hurting myself and am willing to pay several thousands of pesos for the damage caused by the Demolition Twins. The weather was cool and breezy, making our late lunch pleasant and laid back.

Simple table setting

Table setting is unpretentious and uncomplicated. Menu is simple enough, no tongue-twisters there. Don’t forget to order the Enseladang Pako (Fern Salad)! It’s made of fresh edible ferns, itlog na maalat, cheddar cheese, kesong puti, newly ripened tomatoes, lots of onions, nuts, vinaigrette and probably other ingredients that escaped my tongue. Too bad it’s for sharing. I would have loved to keep the entire serving to myself.

Enseladang Pako (Fern Salad)

We ordered Chicken Inasal for the kids, Bistek Tagalog (Isabella, one of the Demolition Twins, liked the sauce drizzled over her rice),  Garlic Rice, and lots of Ripe Mango Juice that the twins swiped from under their father and Nanay Gie’s noses. Bill is around P2,000 for 3 grown-ups and two pre-schoolers. The food is OK, pleasing to the palate but not as stupendous as I thought it would be. The way some people or newspaper(s) had been praising the place caused me to place my expectations that high. But the fern salad was exceptional.

There was some kind of aviary in the cafe’s garden and Isabella and Adriana were entertained by the squawking birds and I wonder if the birds weren’t traumatized by the kids’ louder squawking. The garden was wide enough for the twins to run around, slip and fall.

Overall, it was a nice lunch but if you’re coming straight from Manila, it would probably be not worth it. If you’re city-bred, you would be enthralled by the ambiance (the house adjacent to the dining area is cool) but for a promdi (who grew up at the foot of Mt. Makiling), it’s nothing special. Visit Patis Tito if you’re already in Laguna or in nearby Quezon towns of Tiaong, Candelaria or Dolores. Try to call for reservations; I got the feeling that you have to given the limited seating they have there.

Patis Tito Café is at 285 Barangay Sta. Cruz Putol, San Pablo, Laguna. Call 7244231 and 0906-4439092


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